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Regional Commission for Cultural Affairs, Ben Arous · 2026 · Projection mapping

Mapping Oudhna

Mapping Oudhna

A projection mapping on a Roman archaeological site, running the history of Tunisia through eight generated chapters.

8

Chapters

Prehistory through to the architectural climax.

2 000

Years on the wall

The surface already carried meaning before the projector.

Uthina is one of the largest Roman sites in Tunisia. Mapping a place like that raises an immediate problem: the surface already carries two thousand years of meaning, so anything projected onto it either respects that or flattens it into a screen. The answer was to make the content chronological rather than decorative. The piece runs through eight chapters that follow the site itself through time: Prehistory, the Phoenicians, the Romans, the Islamic period, a synthesis of the dynasties, the French protectorate, Independence and modern Tunisia, and a final architectural climax that returns the stone to itself. Each chapter has its own visual regime, generated rather than filmed. The Phoenician sequence builds a harbour that never existed as a photograph, the Roman chapter works in architecture and ornament, the closing movement resolves into pure geometry. The narrative is the structure, and the structure is what the audience walks away with. The system runs on TouchDesigner, with AI-assisted generation feeding the chapter material and real-time control holding it all together on the night.

Role

Creative direction · Narrative design · Generative content production · Projection mapping · Real-time system

Stack

TouchDesigner · Generative AI · Projection mapping · Real-time

Short film of the mapping, from prehistory to the geometric finale, 35 s
Prehistoric chapter, cave painting lit by torchlight
Chapter 1, Prehistory
Submerged colonnade in blue water
Chapter 2, the sea before the city
Phoenician harbour at dusk with moored ships
Chapter 2, Phoenicians
Roman colonnade traversed by golden particles
Chapter 3, Romans
Ruins dissolving into golden dust and geometry
Chapter 4, the Islamic period emerging
Grid of grey volumes in relief
Chapter 7, independence and modern Tunisia
Orange and black geometric pattern
Chapter 8, architectural climax
Mapping content masked to a Roman column at Uthina
The content cut to the architecture, column and wall only
Phoenician harbour mapped onto standing ruins
Each chapter re-cut to the geometry of the site

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